ASCENCION

No matter how far down one is – even if he is falling – the path is the same for everyone and it leads to the summit. Each individual is on a different step and, regardless of our position, there is always someone above who can give us a hand, as we can also offer ours to those who are in difficult behind us.

Alessandro Magnasco, Saint Carlo Borromeo Receiving the Oblates, DetailPlacements: HEAD, NECK, CHEST, ABS & THIGH | HEAD, NECK, BACK, GLUTES & THIGH | — Alessandro Magnasco, Saint Carlo Borromeo Receiving the Oblates, Detail
Placements: HEAD, NECK, CHEST, ABS & THIGH | HEAD, NECK, BACK, GLUTES & THIGH |

Wainer Vaccari, L’isola dei tuffatori, 1994Placements: BACK | CHEST & ABS | 1 ARM, CHEST, ABS & NECK | 1 ARM, CHEST & ABS | HEAD, NECK, BACK & GLOSSY | — Wainer Vaccari, L’isola dei tuffatori, 1994
Placements: BACK | CHEST & ABS | 1 ARM, CHEST, ABS & NECK | 1 ARM, CHEST & ABS | HEAD, NECK, BACK & GLOSSY |

Charles Le Brun, The Descent from the Cross, 1642/1645Placements: BACK | BACK & GLUTES | CHEST & ABS | 1 ARM, CHEST, ABS & THIGH | 1 ARM, CHEST & ABS | \ — Charles Le Brun, The Descent from the Cross, 1642/1645
Placements: BACK | BACK & GLUTES | CHEST & ABS | 1 ARM, CHEST, ABS & THIGH | 1 ARM, CHEST & ABS | \

Alessandro Magnasco, Raising of the CrossPlacements: BACK & BACK | CHEST & ABS | HEAD, CHEST, NECK, ABS & THIGH | HEAD, NECK, BACK, GLUTES | — Alessandro Magnasco, Raising of the Cross
Placements: BACK & BACK | CHEST & ABS | HEAD, CHEST, NECK, ABS & THIGH | HEAD, NECK, BACK, GLUTES |

Caspar David Friedrich, The Sea of Ice aka Polar Sea, digitally manipulated, 1823/1824Placement: XXX — Caspar David Friedrich, The Sea of Ice aka Polar Sea, digitally manipulated, 1823/1824
Placement: XXX

Alessandro Magnasco, The Raising of Lazarus, 1715/1740Placements: BACK & GLUTES | CHEST & ABS | CHEST, ABS & LEG | 1 ARM, CHEST & ABS | HEAD, NECK, CHEST, ABS & THIGH | HEAD, NECK, BACK, GLUTES & THIGH | — Alessandro Magnasco, The Raising of Lazarus, 1715/1740
Placements: BACK & GLUTES | CHEST & ABS | CHEST, ABS & LEG | 1 ARM, CHEST & ABS | HEAD, NECK, CHEST, ABS & THIGH | HEAD, NECK, BACK, GLUTES & THIGH |

Wainer Vaccari, La visita, 1992Placements: BACK | CHEST & ABS | HEAD & NECK | HEAD & BACK | THIGH & ABS | THIGHS | BACK & ARM | ARMS | — Wainer Vaccari, La visita, 1992
Placements: BACK | CHEST & ABS | HEAD & NECK | HEAD & BACK | THIGH & ABS | THIGHS | BACK & ARM | ARMS |

Wainer Vaccari, All’ombra delle cattedrali, 1983Placements: BACK & GLUTES | BACK, GLUTES & LEG | CHEST & ABS | CHEST, ABS & LEG | 1 ARM, CHEST, ABS & NECK | 1 ARM, CHEST, ABS & THIGH | ARMS, CHEST & ABS | ARMS, CHEST, ABS… — Wainer Vaccari, All’ombra delle cattedrali, 1983
Placements: BACK & GLUTES | BACK, GLUTES & LEG | CHEST & ABS | CHEST, ABS & LEG | 1 ARM, CHEST, ABS & NECK | 1 ARM, CHEST, ABS & THIGH | ARMS, CHEST & ABS | ARMS, CHEST, ABS & BACK | BACK, 1 ARM & HEAD | HEAD, NECK, CHEST, ABS & THIGH | HEAD, NECK, BACK, GLUTES & THIGH | FULL BODYSUITE |

Peter Paul Rubens, The Fall of the Damned, circa 1620Placement: XXX — Peter Paul Rubens, The Fall of the Damned, circa 1620
Placement: XXX

Malcolm Browne, Thich Quang Duc - Self Immolation, 1963Placement: XXX — Malcolm Browne, Thich Quang Duc - Self Immolation, 1963
Placement: XXX

Gustave Doré, Transformation of Agnello ,detail, 1857Placements: BACK | CHEST | CHEST & ABS | ARM | THIGH | FULL BODYSUITE | — Gustave Doré, Transformation of Agnello ,detail, 1857
Placements: BACK | CHEST | CHEST & ABS | ARM | THIGH | FULL BODYSUITE |